I read a lot of comics, but for the past year one title in particular has captured my heart and stuck its head above the superhero-white-noise-parapet and started something spectacular and beautiful. That comic is GLORY, which, to my infinite sadness, had its final issue published last week.
So, in memoriam: GLORY.
GLORY covers #23 and #34
The baby of scribe Joe Keatinge and artist Ross Campbell, GLORY is the story of Gloriana Demeter. Bred as the peace-child to settle a war between her parent’s races, Gloriana is raised to be a weapon; to be able to strike and kill an entire race, should either of her parent’s people break the peace between them. But Gloriana has other plans; she wants to be on earth and help its beautiful, fledgling human race survive. On Earth she is known as Glory; a hero, not a weapon.
After returning to her home-world of Thule to wage the war she was born to fight, Glory seems to disappear from Earth. Riley Barnes, a lifelong fan of Glory’s begins to have vivid dreams of Glory’s life in her absence which lead her to a small, provincial French island where the broken and battle-torn Glory has been slowly healing, waiting to become strong enough to fight again…
From GLORY #23
What makes GLORY so special is its sheer vision and just how beautifully crafted the articulation of that vision is.
Artist Ross Campbell is just fantastic at bodies. Maybe that’s an odd compliment to make for an artist whose job is surely primarily to draw people, but sadly, in comics, those artists who can effortlessly render tangible, diverse and un-objectified casts (particularly their women) aren’t as common as they should be. Campbell is at the very top of that league, for me.
Take Glory – a warrior princess. Let’s take a look what pops up if I google ‘Warrior Princesses’:
Hm. Now, let’s see Glory herself:
From GLORY #32
The fact is that I have never read a superhero comic where the female character has been designed firstly and most importantly to communicate her strength and ability over her adherence to the standard ‘strong babe’ model that other super-powered women often fall prey to. (She-Hulk being the most notable example of this – Hulk looks like the proverbial brick shit-house, She-Hulk generally looks like a casual gym-bunny at most.)
This topic is huge for female comic readers right now. This past year has seen the rise of blogs like EscherGirls and The Hawkeye Initiative – both of which expose the double standard that divides the representation of men and women in comics. GLORY is wonderfully free of such problems. Besides Glory herself there’s Riley, another comics babe mould-breaker, being short, slight and Asian (and adorable), and Nanaja, Glory’s younger sister who aside from having the most bad-ass character design in possibly forever, also avoids the common pitfalls of the warrior-princess archetype.
In fact, a great strength of GLORY is that while none of the female characters embody a stereotypical femininity, they also don’t treat femininity as a weakness; indeed, here’s Glory in a cat jumper.
From GLORY #29
And Nanaja’s pink, swirly armour (which she wears while swearing like a sailor and causing much bloodshed. How’s that for subversion?)
From GLORY #28
Look at these wonderful female characters having layers and being developed, interesting characters! With the state of mainstream comics at the moment, who’d have thought it was possible, eh?
Even more impressive is that GLORY is a reinvention of a 90’s comic that fulfilled every irritating warrior-princess cliché. Boob armour, impractical outfits, truly impossible anatomy…
GLORY drawn by Rob Liefeld
And then, the writing; beautiful art is nothing if the story falls flat.
Happily, GLORY was by turns hilarious, heartbreaking and poignant. As well as shattering the Bechdel test into 50 pieces, Keatinge has a way of weaving humour into completely bizarre situations that make them relatable and readable rather than alienating – something that sometimes makes me shy away from ‘fantasy’ as a genre in general.
“Xavier. This is awkward. Obviously, I’m not your wife.” from GLORY #26
Also significant for me in GLORY was a sensitive and unexploitive representation of fluid sexuality and love not only between Glory and her significant others of different genders, but also between Glory (who is hundreds of years old, despite looking young) and her long-time lovers who, as humans, have naturally aged as such.
From GLORY #29
from GLORY #34
It’s not often that both queer and aged sexualities are addressed in such a way, and hardly ever in the comics medium with any level of subtlety.
It’s so rare to come across a comic that reminds you that comics can be a place for innovation and beautiful storytelling; a place for art. GLORY, for me, is a comic I know I will be re-reading for years to come… at least until it hopefully gets another shot at the monthlies (please, please Image Comics!). An absolute joy of its medium and I implore you to give GLORY the sending off it deserves by giving it a try.
To find your local comic shop visit http://www.comicshoplocator.com, or buy online at comixology, where the first issue (#23) is free. The collected trade paperback of #23-28 (GLORY: THE ONCE AND FUTURE DESTROYER) is out now, with the second predicted to be out around July/August 2013.
And if you enjoy GLORY you might also enjoy:
- Rachel Rising; Death is the end. Right? For Rachel, it doesn’t seem to be. An ongoing horror comic self-published by Terry Moore, the first two trades out now V1: THE SHADOW OF DEATH and V2: FEAR NO MALUS
- Wet Moon; also drawn by Ross Campbell, on Oni Press. The first 6 books (of 8) are available now.
- Storm Dogs; another Image Comics title with a diverse cast, this time a sci-fi fantasy. A mini-series nearing completing and completely worth checking out.